• South America

    Amazon Indian dance mask

      Q:  Wondering about the origin and use of this mask.  Tara, 1816 A:  There are still small tribal groups in remote parts of the Amazon Basin. This piece comes from the the Wayana-Aparal tribe who are located close to the mouth of the great river. The mask is called a Tamoko. Its skirt actually flows all the way to the ground, covering the dancer’s entire body. It is made by hand in the rain forest with many different natural materials. Your Tamoko appears to have been used in culture and could be of value to serious collectors and museums. Of course, I can’t be sure with just one photo…

  • Africa

    Authentic African Ekpo mask?

    Most of the African masks you see on the market today are quickly-made fakes. They always look old and worn. Some are carefully-made reproductions which can be very convincing. Marketing masks is a huge business in Africa. If you’re like me, you want your African mask collection to be authentic. The problem is that I would have to pay at least a few thousand dollars each. But I started about 50 years ago, so I have a few. I have another way of getting an authentic African masks. Search for masks that look like no Caucasian tourist or collector would want them. Pictured here is probably an old and well…

  • Bali & Java

    Javanese Pentul mask

    Q:  Inherited from my parents, it was on the wall in their house as long as I can remember. Perhaps 1949. It is 13 x 16 x 8 cm and made of a single piece of wood.  Kika, 1814 A:  The complete performance involving the Pentul mask is a battle ceremony with at least two troupes battling in the village square. Pentul dances originate from pre-Hindu culture (before the sixth century AD) and survived in Java, throughout the Hindu Buddha period, the Islamic period, and Dutch colonialism. To this day Pentul trance dances are still performed to celebrate harvest thanksgivings, circumcisions, weddings, or even the Indonesian independence day. Because the…

  • Africa

    Pende pumbu mask

    This cap mask  comes from the Central Pende people in the Democratic Republic of the Congo. Said to be from the mid to late 20th century art, it is part of the Krannert Art Museum’s collection. It is unusual. For comparison I’m attaching two familiar Pende masks– the black and white sickness mask, and the wonderful bull buffalo. Masquerading enjoyed an extraordinary resurgence in the Central Pende region in the early twentieth century, in part because so many other routes to male prestige had been blocked. In the 1930s, during the Pende rebellion, masquerade performance constituted a form of resistance to Belgian colonial rule. Pende masquerade performance remains vital to…

  • Guatemala

    Old cowboy mask from Guatemala

    Q:  Fredrico sent scans of five different Guatemalan masks. Perhaps he wanted them appraised. If he wishes, we can give him an estimate.  1812 A:  Guatemalans all over their little country have practiced masquerade for many hundreds of years… even to this day. Different characters are portrayed in several popular dances. You can tell who they are by skin color, hair color, whether they have hair on their forehead, face, cheeks, chin, etc. They represent men, women, children, rich, poor, bad, good and much more. Guatemalan masks are a favorite with collectors. You can see why on this piece.

  • Misc

    Anubis, God of Embalming

    Anubis was a jackal-headed deity who presided over the embalming process and accompanied dead kings in the afterworld. When kings were being judged by Osiris, Anubis placed their hearts on one side of a scale and a feather (representing Maat) on the other. Anubis is the son of Osiris and Nephthys. Despite being one of the most ancient and “one of the most frequently depicted and mentioned gods” in the Egyptian pantheon, Anubis played almost no role in Egyptian myths. I believe this helmet mask is carved stone or ceramic and several thousand years old. It would have been fit over the head of a mummified corpse and used as a death mask.  I also…

  • Misc

    Masks as contemporary art and sculpture

    Woodcarver Sherilyn Tharp expresses her history of drawing, woodworking and carving experience with this carved mask. Tharp takes a traditional carved form and uses a wide variety of techniques sometimes in unusual and nontraditional ways to articulate her own vision. Her masks are carved from a wide variety of woods and often embellished with scraps and found objects such as nails or thorns.  The hair of a mask might be scrap from some other project such as basket making materials or fabric scraps. Some of the masks are carved from wood collected from tree cutters that save especially beautiful and unusual logs for her. It is not uncommon for fine…

  • Oceania

    Uncontacted tribes are disappearing

    Q:  The family member who gifted this was unsure if he bought it in PNG or perhaps Australia. Even if just a tourist item, I would love to know any information you could share, country, are they masks or shields, did the snake and waterfowl represent anything?  Robert, 1807 A:  We don’t often see masks like this any more. It has been made by a tribesman in a remote part of the Sepic River area of Papua New Guinea. I can tell it is one of his first masks for trading with white men. His choice of colors, designs and workmanship are a little off. Also, he did not attempt…

  • Africa

    Masquerade during the pandemic

    I found this beautiful photo on Google with the following copy: African men and women wearing protective face masks decorated in brightly colored acrylic yarn are the subject of a new collaboration between Pierre Le Riche, who created the masks in Cape Town, and photographer Nonzuzo Gxekwa, who photographed them in Johannesburg. Entitled The Mask Project, the series is being added to the exhibition at THK Gallery, Cape Town, which continues until 29 August. Cases of Covid-19 in South Africa have been increasing by more than 10,000 per day, with the total fast approaching 500,000. The artists say the models were photographed bare-skinned to emphasize our myriad vulnerabilities during the pandemic. ‘I do…